Alpha
Beta
About
Bleep reimagines the dot-matrix aesthetic for contemporary typography, splitting into two distinct families – Alpha and Beta – that play with the boundaries of legibility and form.
Alpha, the more experimental of the two, takes its unconventional proportions from Bauer's Venus and Or Type's Seperat, while Beta offers a more familiar interpretation of the pixel grid. Both families push the boundaries of weight, offering five grades that progress from clear to deliberately challenging, with the boldest weight teetering at the edge of readability.
The italics take an audacious 22.5° slant, creating unexpected moments where the heavier weights fracture and break free from their pixel grid constraints, transforming mechanical precision into controlled chaos.
Technical
Designed by:
Year: 2024
Styles: 20
Encoding: Latin Extended
Formats: OTF, WOFF, WOFF2
Source Material
Alpha • Regular
AaBbCcDdEeFfGgHh
Beta • Regular
AaBbCcDdEeFfGgHh
Alpha • Regular
BERG/2.8
Beta • Regular
BERG/2.8
Alpha • Thin
BERG/2.8
Beta • Thin
BERG/2.8
Alpha • Medium Italic
Geodesic 79,000
Beta • Black
Cybernetic 1938 16mm Synergetics Diablero 44
Alpha • Regular
2024 250 feet 3,000
Beta • Bold
Syzygy Maraldis Visceral
Alpha • Medium
Transformation now beginning
Alpha • Medium Italic
PATTERNS EMERGE NATURALLY
Beta • Black
Beauty emerges mathematically
Alpha • Regular
The creative mind requires both freedom and constraint, working within established patterns while discovering new possibilities for expression and understanding.
Beta • Medium
The path to understanding comes through direct experience, not through conversation alone. We must recognize that while the world appears chaotic, patterns emerge naturally through careful observation and thoughtful design. As creators and makers, we have the power to shape these patterns, to find meaning in complexity, and to build tools that transform how humans interact with their environment. The process requires both freedom and constraint, working within established forms while discovering new possibilities. Through this delicate balance of order and creativity, structure and spontaneity, we begin to see that everything is already connected - we simply need to reveal the inherent relationships.
Alpha • Regular
The path to understanding comes through direct experience, not through conversation alone. We must recognize that while the world appears chaotic, patterns emerge naturally through careful observation and thoughtful design. As creators and makers, we have the power to shape these patterns, to find meaning in complexity, and to build tools that transform how humans interact with their environment. The process requires both freedom and constraint, working within established forms while discovering new possibilities. Through this delicate balance of order and creativity, structure and spontaneity, we begin to see that everything is already connected - we simply need to reveal the inherent relationships.
Alpha • Italic
The path to understanding comes through direct experience, not through conversation alone. We must recognize that while the world appears chaotic, patterns emerge naturally through careful observation and thoughtful design. As creators and makers, we have the power to shape these patterns, to find meaning in complexity, and to build tools that transform how humans interact with their environment. The process requires both freedom and constraint, working within established forms while discovering new possibilities. Through this delicate balance of order and creativity, structure and spontaneity, we begin to see that everything is already connected - we simply need to reveal the inherent relationships.
Type Tester
OpenType Features
CASE SENSITIVE
FRACTIONS
OLDSTYLE NUMERALS
TABULAR NUMERALS
Glyphs
Supported Languages • 211
Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Bashkir, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic, Greenlandic Old Orthography, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Inari, Sami Lule, Sami Northern, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Ukrainian, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
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